General
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97 results found
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Different colours for cue points
It would be great if you could choose different colours for cue points, e. g. to have all cue points for track A in one colour and all cue points for track B in different one.
1 vote -
Import / Open Reaper Project
I would like to have the ability to import projects from Reaper, similar to what's available for ProTools and Audition.
4 votes -
7 votes
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Shortcut to apply crossfade at cut point.
I think a shortcut to apply a crossfade at the most recent cut point would be a huge timesaver. This feature would be useful, for example, in the scenario where a breath (or something) has been removed and the parts of the split track have then been realigned--a quick add crossfade shortcut without needing to highlight the desired region would be awesome. Thanks!
4 votes -
bad frequency analyzer
I work with a high pitched interviewee on my podcast and my father says he can't listen to her talk so he's not going to listen to my extremely interesting podcast.
Can you add a bad frequency analyzer so i'll know how to adjust the eq?
P.S. I love everything you do. Your tutorials are my nightly ASMR!
1 vote -
Toggle Playhead/Screen Auto-Tracking On/Off
The feature I'd like to request has to do with screen tracking. Specifically, I tend to adjust levels and make cuts, sometimes even with considerable zoom, in sections of a session while listening to that very section and consequently what comes after it, which becomes annoyingly impossible if the playhead jumps to the next screen as it reaches the edge.
This can be a useful function, but even more so would be the ability to toggle between having it on or off, depending on which part of the workflow I find myself in.
1 vote -
Support for double-ender recordings (SquadCast, Ringr, Zencastr, etc.)
Since quality from Skype and Google Hangouts is often dodgy (not studio quality), and not fool-proof (e.g. difficult to get secondary, back-up recordings), I use SquadCast and Ringr as my preferred platforms for double-ender recordings. It would be fantastic if Hindenburg Journalist PRO could natively support dealing and integrating with one or more of these platforms.
14 votes -
Open in SADiE
Interchangeability with Sadie would be great because that is the DAW used throughout BBC Radio
1 vote -
Support for (educational) screencasts
I think it would be an major improvement to add the possibility of importing a video track, so one can see the video in Hindenburg Journalist directly while recording the voiceover track.
This would be a great incentive for all VLOGGers as well to use HJ.1 vote -
Reverse audio
Thank you for the opportunity to try out Journalist Pro, so far the acquaintance
has been quite nice. Nevertheless there is one feature I miss or can't find. Is it possible to reverse a audiofile in editing or to change the speed?1 vote -
Freeze playhead and scroll tracks
I would love fro be able to freeze the playhead and scroll the tracks. This way I can keep my eyes fixed on the playhead in the center and, when I stop playback to make an edit, I would know that the audio to be corrected is just to the left of the center of the screen. It would require much less eye and mouse movement.
45 votesFixed playhead is unfortunately not something we can do in the current version, but we are hoping we can implement it in the upcoming 2.0
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Automatic fades by shortcut
I´m happy to see that there are some new features are to come with the next update, including fades.
As a Protools user I love the feature to fade the start and the end of a region automatically by pressing "F". It would be nice to have this in Hindy too. Do you think you could add this on the todo list for the coming update?
0 votes -
Cursor Behaviour like in Protools
I guess, many Hindy users may work with both Hindi and Protools as I do. I´m still confused a tiny but permanent problem: the behaviour of the Cursor (move/edit) in Hindy and PT is interchanged. Hindi: move = above top, edit = below; PT: move = below, edit = above. It would be nice to change this or better: make it possible to choose the favorite behaviour in the settings.
0 votes -
Full Screen Mode
I love Full Screen Modes - press F11 and get a clutter-free screen, allowing you to focus entirely on your work. Is it difficult to implement?
1 vote -
Silence detection
Occasionally, when producing a podcast you leave a little bit of audio at the far right - you might have moved it there on purpose while editing. The result is your lovely podcast, which plays all the way through, then a big gap, then a little clip of audio.
As a suggestion, when publishing or exporting a file, you could detect long periods of silence and place this in the dialog box at the end, as an advisory for editors. "For information: this audio contains 183 seconds of silence." That, alone, would be enough to at least notice that something…
6 votes -
Bug: Wrong channel recorded
OS: Windows 10
Version: Hindenburg 1.82.2302I noticed the following behavior and I think, this is a bug:
When I connect a Zoom H6 Fiel recorder to the computer and use the the H6 in as interface in multi track mode, I can choose different inputs for different tracks, for example Microphone 3 and 4 in Hindenburg for H6 channels 1 and 2 (XLR inputs).
I can see the levels of both microphones in Hindenburg separately on both tracks, just as I would expect.
But ony the first of the both channels is recorded on both tracks. The second microphone…
3 votes -
Add the exact time point where the track was cut for clipboard
Hi,
I'm currently running into a serious issue because I'm working with two distinct audio tracks that go hand in hand (an interview). I'm torn between just editing from the track or organizing everything into the clipboard first. The issue with the latter is I don't know how to sync my clips up later, especially when there's interjection. Currently, all the clipboard does is show how long the clip is (which isn't really important) instead of at what time the clip was cut (for example, 45 seconds). If I had that, I would know exactly how to put the puzzle…
4 votes -
Warning when overwriting a file when publishing
I produce a podcast every day, and do this by trying to remember to "save as" a new file every day. I don't always remember.
When publishing audio, Hindenburg never checks if you're overwriting a file that already exists. This is not what normally happens on MacOS or Windows - you're normally told "do you want to overwrite this file?" or something - and this behaviour ought to be the default within Hindenburg, to my mind.
(I can see the merits of being able to switch an error message like this off, too).
1 vote -
Export / Publish Efficiency - Temp Files and Duplicate Settings
Hindenburg is incredibly powerful but mixdowns / renders can be very time consuming if effects have been used, particularly if there are several tracks to process.
While I realize that some of that is unavoidable, the way Hindenburg matches loudness targets is to process the mix twice - once to determine loudness processing needs and again to apply them. It seems like the duplicate processing could be cut in half if the mix was first rendered to a temp file and then that file processed for final loudness and export / publish.
Depending on the amount of processing in a…
0 votes -
Auto-save/Back-up Feature
When my colleague tried to save her project at the end of the day, Hindenburg crashed and her whole work was gone when she reopend the project.
Is there something like an auto-save feature that prevents such incidents in the future?10 votes
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